New Line Cinema
Wellington was the production base for all three of ‘The Lord of the Rings’ films. It was the first time anyone had embarked on such an audacious project filming three major films simultaneously.
The third and final film, ‘The Lord of the Rings: The Return of The King’, won 11 Oscars® at the 2004 Academy Awards®. It joined landmark films ‘Ben Hur’ and ‘Titanic’ for the most awards won by a film.
For three years, Wellington played host to hobbits, elves, and orcs as well as live-action shooting and green screens for the latest special effects.
The visual effects realised at the local facilities in Miramar showed off Wellywood’s technical and production capabilities. The trilogy developed new techniques in both digital effects and model-making.
The filmmakers also had access to incredible locations on their doorstep, filming many key scenes in Wellington.
Plus being only 10 minutes from Wellington International Airport, the production could easily film in the stunning landscapes throughout New Zealand. They also had ready access to Los Angeles.
Production and post-production were in the Wellington suburb of Miramar. The base for world-class sister facilities Stone Street Studios, Wētā Workshop, Wētā FX, and Park Road Post Production.
While these facilities enabled many studio scenes — the Rohan city of Edoras, Helm’s Deep and Fangorn Forest. The diversity of land around Wellington enabled many other scenes to take place on location near Miramar.
Other spectacular sets built around the region included Helms Deep at Dry Creek Quarry just north of Wellington city and Rivendell at Kaitoke Regional Park.
To help create the sound of 10,000 chanting Uruk-hai orcs during the Battle of Helm’s Deep for ‘The Lord of the Rings: The Two Towers’ director Sir Peter Jackson recorded 30,000 fans chanting in the Black Speech (the language of Mordor) during the lunch break of a cricket match at Sky Stadium.
I feel incredibly proud that this country, and especially this town, is responsible for what we have done.
This video has no audio. It shows a scene from ‘The Lord of the Rings: The Fellowship of the Ring’ movie when Gandalf’s first visits Bilbo’s hobbit hole.
The video cuts between a blue-screen production set, and scenes from the movie to show Wētā Digital used post-production editing to make the characters appear at different sizes.
The video begins with Bilbo (a hobbit character) walking through the circular door of his hobbit hole, followed by Gandalf (a wizard character) who removes his pointed wizard hat to enter through the low door.
As Gandalf enters the room, the scene transitions to the production room during filming. Bilbo has disappeared, and Gandalf stands alone in a blue-screen room. The room has a low-hanging chandelier and is dimly-lit. A crewmember appears on the left and takes the hat off Gandalf.
The scene slowly transitions back to the hobbit hole clip from the movie, showing Bilbo taking the hat from Gandalf. After Bilbo takes Gandalf’s hat, Gandalf ducks to avoid the roof inside the hobbit hole. Bilbo runs down a hallway.
The camera transitions back to Gandalf in the blue-screen room. Gandalf steps back and hits his head on the low-hanging chandelier.
The scene transitions back to a clip from the movie, showing Gandalf in the hobbit hole hitting his head on the light.
With easy access to dramatic locations and home to world-leading special effects, and the acclaimed producer of the ‘Lord of the Rings’ trilogy, Peter Jackson. Where else would you make ‘The Hobbit’ trilogy but Wellington?
You’d never suspect that a film of the epic scale of post-apocalyptic adventure ‘Mortal Engines’ was filmed and produced entirely in Wellington, New Zealand.
Charlie Faulks is a self-taught Wellington animator and has received $500,000 in funding to produce his own web series.
The lure of film has been strong since childhood for Awa Puna. Whether editing, directing, or acting it feeds her need to tell stories. One such story is showing at the 2024 Māoriland Film Festival.
As part of Wellington’s Screen Accelerator Project, ‘Extreme Cake Sports’ producer Bevin Linkhorn has interest from a Hollywood producer.
Wellington is living up to its coveted title as a UNESCO City of Film hosting a celebration of creative screen talent at the New Zealand Youth Film Festival awards.
New Zealand’s latest drama ‘After The Party’ is the very first series leading Australian producer Helen Bowden has made in Wellington.
James Cameron’s film ‘Avatar’ — the highest-grossing of all time — was largely created in Wellington’s world-class facilities.
From 1930s New York to Skull Island, Wellington stood in for virtually every location in ‘King Kong’. The range and versatility of the region’s locations, plus the world-class special effects facilities made Wellington an ideal base for the production.
Supernatural comedy ‘Little Apocalypse’ is New Zealand’s first scripted children’s series by, for and about rainbow young people.